Monday, August 5, 2013
August 2013 - The Ending of a Story
1) the protagonist wins or succeeds in solving the story problem or dilemma
**This is known as the "satisfying" ending. It's an ending most readers want. It's the type of ending that sells more books.
2) the protagonist loses or doesn't solve the story problem or dilemma
**This is known as the "unsatisfying" ending. It's an ending most readers will dislike.
3) the protagonist neither wins nor loses, and the ending is neither satisfactory or unsatisfactory but inevitable.
**With this type of story ending, the reader comes to understand that this is the only way this story could possibly end, so the reader is content.
4) the story ends in such a way (like GONE WITH THE WIND) whereby the reader can decide what the final ending might be.
**This type of story ending frustrates some and delights others.
Yet, the worst ending – and one that should be avoided – is the "deus ex machina" ending. That's an ending where God, Fate, another character (other than the protagonist), saves the day or solves the story problem. Why must the protagonist solve the story problem/dilemma or confront the villain? Because a story is about ONE person's struggle – the protagonist's. No one else's. Yes, there can be other characters, but none rank higher or on an equal level with a protagonist.
And, in order to give a reader the most emotional enjoyment, the story must also have a climax where the protagonist will make a "do or die" decision. One that involves confronting the villainous villain, thwarting an enemy, sacrificing a long-held belief, changing a moral or core value, etc. In the climax, the protagonist not only faces the story problem (and wins, loses, or it's a draw), but the story's ending is also the culmination of the protagonist's struggle with their own demons, which have been showcased by the plot.
So how does a writer avoid a deus ex machina ending? It's by understanding who the protagonist is down deep in the psyche, at the moral core, at the values of what that protagonist holds dear and why. Plot forces the protagonist to look at who and what they are and decide to risk or sacrifice a belief, a value, a moral, or their own life because the stakes are worth it. This is also a key to a story with a satisfying ending.
But here's a secret to having an ending that works for a story and for a reader: the ending is foreshadowed (often on a microscopic level) in the story's beginning. In other words, knowing the story's true beginning can help a writer find the ending. Likewise, knowing the ending can help pinpoint the story's true beginning.
****This blog is updated the first of the month. @2013 by Catherine E. McLean * www.CatherineEmclean.com
**** September's topic: Voice
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