2024 - July - AI ?

Whether we like it or not, Artificial Intelligence is now on our computers, cell phones, and other devices, and it is now the all-consuming interloper.

I used to be able to research and google questions or topics and get a list of choices as to where to look for answers. Now the AI gives me summaries. Summaries? Really? Research for my writing is about finding facts that bolster a premise or idea for a story, or to verify far-fetched what-ifs for my science-fiction, space-opera romances or to check on something for a medieval tale.

As with new technology released on the populace, there are and will continue to be problems. Overwhelming is how AI's will hallucinate confabulations. That is, they perceive to fabricate data from whatever they come across, even copyrighted material, which gets mixed and matched, resulting in sometimes nonsensical summary answers.

Case in point: an AI creating a heath article and recommending we humans eat a rock a day to get a day's worth of necessary minerals. Then there was the gasoline-infused spaghetti recipe. And my favorite, putting glue on a pizza to make the cheese stick.

Love it or hate it, be for it or against it, but the push is on for AI's to do the writing for us writers. It's the new trend. 

Here's a bit of wisdom from author Michael Woudenberg: 

". . . If you’re writing isn’t any better than an AI, I’d look hard at improving your craft and finding out where you can be unique."

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Enjoy a Happy 4th of July!   

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2024 - June -- Not Writer's Block

 

What to do when you get stuck writing and it's not Writers Block?

If you have writer's block, that' a whole different kettle of fears.

Today, or rather this month, I'm talking about when things don't seem to be going well with the WIP (your Work In Progress). 

The ideas may be there, but they do not flow steadily onto the paper or computer screen. The old adage to just keep writing seems irrelevant considering what's generated ends up scrapped as unusable, torn up pages or a deleted file. 

So, what to do? 

Simple answer—stop worrying. Such episodes happen to writers. 

Here's a better idea— Change something. Get away from the angst.

If using a computer, go write by hand on a yellow tablet in another room, or on the deck or porch. Go to a coffee shop with your laptop or a notebook, a journal, or even a composition book. Enjoy a brew and goodie, sit by a window and watch people inside the building and out. Write about what you observe and feel.

But what if the problem that mucked up the day's writing is an indecision about a character's motivations or a need to figure out how to get Character A to point B in a story? In that case, go to your writing partners or that friend or sibling that will let you talk it out and ask questions that make you think of new alternatives. Or simply do The List of 20, wherein you list idea after idea. Somewhere around the twentieth idea comes one that works. If not, keep listing items until The One hits.

You might also consider going for a walk in the park and sit on a bench, drink up the sunshine. How about walking the dog twice around the block? Sit on the grass, watch the wind ruffle leaves, flowers, find animals in the cloudy sky. Listen to the sounds of nature and humans. Feel the sunshine.

The above paragraph may be fine for a sunny day, but what about a cloudy or rainy day? Take an umbrella and put on your rubbers. walk through puddles, listen to the beat of the rain, enjoy the mist, the smell of fresh rain.  Do be safe — don't go out when there's lightning.

When you return home, write about what you saw, what you felt, what you heard, what you pondered. Write a poem. Write an essay. Write for the sheer joy of creating and putting words into print.

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2024 - May - Four Types of Fight Scenes

 

When writing a fight or high-action scene, that scene likely fits one of the following four categories:

1. Hand-to-hand combat or fisticuffs

2. Fights with weapons

3. Fights on the run

4. Fights involving superpowers

Hand-to-hand combat and fisticuffs rely on the limits and abilities of the human, or not so human, bodies dueling with each other. This encompasses the bar-room fist fight, martial arts, the wielding of magic, and even brawls. It's basically good guy versus bad guy be it one-on-one or with multiple fighters.

Fights with weapons depends on the era of the story and the technology of that era. The weapons might range from the primitive (stone or spears or clubs) to bronze and iron age swords, to the industrial age of guns, to magic wands, and advanced military hardware or science fiction weaponry. Skill plays a part, so does training, and in the end it often culminates in violence regretted or one winner-takes-all. 

As to fights on the run? There is nothing like the chase scene in movies and in books. Of course, the chase depends on the era from running from the Neanderthal with a club to dodging bullets or ray guns to magical bolts and spells. It's often about the good guy chasing the bad guy, but somewhere along the plot line it might be the bad guy going after the good guy culminating in a do-or-die clash (or climax of the story).

Fights involving superpowers means there is an endowed superhuman, or alien, or magical person involved. In this case, the fight scenes highlights the awesome power of the menace of the super-villain and the strength of the superior hero or heroine they go up against.

No matter which category, there are basically two effective ways to showcase an action or fight scene.

The first way is to limit the scene to the narration of one of the major combatants POV and Viewpoint (which are two different things, by the way).

The second way is to work out the actions in a logical, cause-effect format. For example, in a fight scene I have in the draft of my fantasy-medieval romance, I used spools of thread (I sew and have collected a number of different colored spools). Each character in the scene became a color of thread. I then drew a floor plan of the fight area, marking in the furniture with highlighters. As I started placing spools and moving them for the combat, I found flaws in my idea of how the action should play out. For instance, a piece of furniture was in the way, or a character couldn't easily get to the doorway. It took a bit of trial and error, but discovered the layout that best gave the fight advantage to the story's villain.

Since believability is at stake, finding out such things makes for a far better first draft and saves tremendously on rewrites. 

Have you ever played out your fight scene using a floor plan or props? If not, do it today. See if the reality matches your fantasy fight. Feel free to share your findings in a comment.

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2024 - April - Part 3 of Wise Words: Join a Writing Group

 Wise Words, Part 3 - JOIN A WRITING GROUP

This three-part series began with a look at those the three elements consistently appearing on those seven to twenty-five "easy steps" lists to becoming a writer: Write, Read, and Join a Writing Group. Now we tackle that third element.

Don't cringe. Joining a writer's group can be daunting or distressful or a godsend. The outcome depends on what you seek in your writing and in your becoming the writer you want to be.

Why would joining a group be daunting? It's about the search to find a group. No two groups are alike. Some groups are strictly for critiquing. Others are for learning and practicing the craft. Some groups are social-oriented. Some are a combination. 

Joining a group can also be distressful. Sharing one's work often feels worse than public speaking. 

When getting or giving feedback, it's important to keep logic and objectivity center stage, not emotions and subjectivity. Sure, writers want praise, but if that's the only goal, then the writer isn't likely to grow as a writer, are they? 

As I've said many times over the years, all a reader has to go by are the actual words on the page and the dictionary meaning of those words and how they are strung together coherently. It's a movie that must form in the reader's mind as they read.

Finding the right group of writers is a trial and error process until you find "the one." To locate a group near you, check your local library or book store. You can go online and look, too. I would recommend checking out the one I belong to—Pennwriters, www.pennwriters.org, or search for a genre-specific writing group like mystery, romance, fantasy/Sci-fi, horror writers, and so on.

In a nutshell, joining a compatible-for-you writer's group can be a godsend that provides hope, encouragement, enlightenment, help, education, and honesty about the words written on a page. 

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2024 - March - Wise Words, Part 2 - READ

  This is the second of a three-part series.

Last month's topic was WRITE. This month the topic is READ. So—

Can reading help you write better, create better stories, create believable story people? Yes, it can.

The subconscious works most effectively when provided with abundant and varying input. It is vital that the subconscious collects such information because storytelling is about the juxtaposition of ideas, knowledge, facts, and fiction. 

So, fill your subconscious file cabinets with information that's available from books. Not only the facts but also fantasies and genre classics. Delve into the experiences of others with biographies. Look into histories and documentaries. Read outside your genre or interest comfort zones.

Newspapers, magazines, and other news outlets provide condensed articles and essays on dangers and horrors of crimes and wars, as well as the extremes of passion and folly. Such things make a writer more empathetic, aware, and, yes, they even offer enlightenment.

When it come to creating believable characters, reading allows for observation and insight into the human condition and how people act and react in given situations. So base story characters in "a truth" and their stories will have verisimilitude.

Do read works by good writers who are well-known. This aids in subconsciously absorbing the power of prose—i.e. grammar, punctuation, paragraphing, syntax, vocabulary, and style. Such things are not to be duplicated but must contribute to a writer's own unique "voice."

Reading good stories, whether long or short, helps a writer subconsciously absorb what story is, its structure, the flow of plot and theme, and so much more.

So does reading have any downside? Of course. Often reading great works is intimidating. It is futile for a novice writer to compare themselves to the greats. Yet keep in mind that those greats succeeded through perseverance and learning the craft and art of storytelling.

Imitation of what's being read is also a danger. Imitating may be a form of flattery, but it's also detrimental to the development of one's own writing style. 

Another downside is that reading might lead to procrastination. For instance, it may be more fun to read others' works then polishing one's own writing.

To become a writer, reading is fundamental. Read 100 books in the genre you intend to write in. Among those 100 books will be the ones you cannot forget as well as the ones you had to force yourself to read. In the doing, you'll find similarities and differences. You'll also discern what made the one book a keeper and the other a book worth putting in the trash bin.

So—feed your subconscious. Read, read, read.

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