December 2014 - Don't underutilize the dictionary and thesaurus

“The difference between the right word and the almost right word is the difference between lightning and a lightning bug.”

-- Mark Twain, The Wit and Wisdom of Mark Twain

Words have meaning.

That seems straightforward and obvious, but you'd be surprised at how many writers put the wrong word down on a page. What am I talking about? Well, here's a little quiz— What is the root word that applies to this list:

pique
indignation
pissed off
rage
ire
wrath
irritated
annoyed
enraged
vexed
choler
go ballistic
livid


Answer:  It's "anger."

What I've just pointed out is that anger comes in many forms. There are also many degrees of anger. In it's mildest form, anger amounts to annoyance or pique (indignation). In the extreme, anger is livid rage that may be extremely violent.

If you haven't grasped the idea yet, let me state it this way:  using the precise word, the correct word for what is actually happening or going on, insures that the reader immediately understands just how emotional your character actually is.

Of course, "angry" is just one of many words that writers tend to slap on a page when drafting. In revision, the wise writer will ask "how __angry, sad, etc.__ was he?" Which often means going to a dictionary and looking up the exact meaning of the word to test if it's the right choice. In other cases, it might mean looking through a thesaurus until you hit on the correct word.

As to other words like "angry?" Here are a few—

anxious
fearful
sad
terrified
surprised
shocked
frustrated
perplexed
happy


You might want to add angry and the words above to your Master Revision Check List Cheat Sheet, do a global search through your work, and see if you have any in your manuscript. If you find one, evaluate it by asking: does this correctly and accurately convey the meaning or emotion or action taking place?

After all, a reader only has the words on a page to go by to form images in their mind. Isn't it time you use the most precise one, the most vivid nouns and verbs in your storytelling?*** THIS BLOG IS UPDATED THE FIRST OF EACH MONTH

DARE TO BE A GREAT WRITER -- January 2015 will start a year-long series on "Revision Is A Process." Each month I'll post the self-editing steps to revising fiction that will cut down on the frustration of revising and help insure bloopers, glitches, typos, etc. are caught before sending a work to readers, critique partners, or editors.  For those who aim to self-publish, self-editing is the first step in generating a worthy book.

To follow this blog --  Connect with Catherine at her home website HERE or follow by e-mail using the box at the upper right on this blog page. 

***Christmas Gift Idea for yourself or a fellow writer:
"Terrific Titles--an all-inclusive guide to creating story titles"

*** Christmas Gift Ideas for Readers (all available at Amazon.com and other book outlets):

ADRADA TO ZOOL an anthology of short stories
JEWELS OF THE SKY, a futuristic (sci-fi) adventure
KARMA AND MAYHEM, a paranormal fantasy romance

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November 2014 - Don't go overboard and drown in descriptions

"To live through a story . . . a reader must capture it with his own senses." – Dwight Swain




For a reader to be anchored in a time and place, to feel the urgency and drama or the mood of any scene, means writing with vividness and economy. It means showing, not telling. But how much description is too much? How much telling is too much?

There are no easy answers.

On the minimalist side, the average sentence is considered twenty words.  One "rule" says no more than three sentences (that's twenty to sixty words) in any given spot. At the other extreme is someone who uses such a unique, narrative voice and such evocative language that a reader would happily listen to a detailed description of an ocean and become lost in the feel of the waves coming onshore, the smell of salt air, and the squawk of gulls.

There is also Point of View and Viewpoint to consider. The omniscient narrator (God or The-Fly-On-The-Wall) tends to tell all and describe all. On the other hand, first person and the deepest third person narratives filter everything through the character's highly opinionated voice, which means the character is not going to stop and describe a lot of things in detail. The character can't take that kind of time because the character is on a mission or quest to achieve a story or scene goal, or solve a problem.

And, of course, there are thousands of blended points of view with varying degrees of showing and telling. One size does not fit all.

But there is a "tipping point." At some point, the description will either slow the story to a crawl or stop the action. When that happens, the reader skims to get to "the good stuff" and that means action or dialogue.

My advice is— do not stop the initial draft process to edit or limit descriptions. Write what you must. Once that draft is done, make one pass through the work looking for wall-to-wall words, that is, any page with four or fewer paragraphs. When you find a page like that, use a highlighter and highlight every word of description. That way you "see" the bulk of words. Next is to cut adjectives and adverbs or replace them with one, vivid, image-producing noun or verb. Lastly, determine if there is a way to say the same thing better, and with more economy of words, but which doesn't violate the point-of-view or viewpoint.

Revision is a process. Describing to show more with less wording, is a matter of using good writing craft devices and techniques.

Craft can be learned. And craft enhances talent!


 ***THIS BLOG IS UPDATED THE FIRST OF EACH MONTH --- December 2014 - Don't underutilize the dictionary and thesaurus


***Christmas Gift Idea for yourself or a fellow writer:
"Terrific Titles--an all-inclusive guide to creating story titles"


*** Christmas Gift Ideas for Readers (all available at Amazon.com and other book outlets):

ADRADA TO ZOOL an anthology of short stories

JEWELS OF THE SKY, a futuristic (sci-fi) adventure
KARMA AND MAYHEM, a paranormal fantasy romance


***Connect with Catherine at her home website HERE
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